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LOOKING

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Howard and Roberta Ahmanson visit Olafur Eliasson’s “Room for one colour (1997)” at the National Gallery in London. The immersive installation is the final work in the exhibition “Monochrome: Painting in Black and White” curated by Jennifer Slivka and sponsored by the Ahmansons'. The exhibition spans seven centuries and includes 50 works by artists who have—in most cases—deliberately turned to monochrome in their art, whether it me black and white paintings, grisaille drawings, yellow and black stained glass, or a room filled with yellow light.
One of the attributes of God himself is Beauty.  Not something sentimental or a means of setting standards to exclude work that doesn’t fit our social or intellectual paradigms, but rather that experience we enjoy when a work of art or the way the light hits the water gives us a deeper and rewarding, even if painful, glimpse into the nature of reality and of our lives. Beyond that, the Bible teaches that human beings are made in the image of God. That means, first off, that we are beautiful. It also means that, as God created the universe in all its glory, we, too, are creators. So, art works are tangible expressions of God’s work in us and in the world. And, we are part of the wonder of it all. Collections bear witness to the Beauty and the extravagance of the universe and the God who created it.
*This art is intended for educational purposes only. It is a representative sample of the Ahmansons' collection. Copyrights belong to the artists.*

Harmony 14

Mulyana

Yarn, Dacron, cable wire, plastic net

2019

Indonesian

Hou Hou Hou

Nassar, Jordan

Hand-embroidered cotton on cotton

2020

American

Le dejéuner dans la plantation

Padeu, Marc

Acrylic on canvas

2022

African

Soft Shapes II

Paul, Zoë

Wool and thread on found fridge grill

2016

South African

Crucifixion with the Virgin and Sts Cosmas, John the Evangelist and Peter Martyr by Fra Angelico, Cell 38 (foreground), Adoration of the Magi and Man of Sorrows, by Fra Angelico, Cell 39 (background) Museum of San Marco Convent, Florence, Italy

Polidori, Robert

Archival pigment print

2010

Canadian-American

FAITH, HOPE & LOVE

Munroe, Lavar

Acrylic, spray paint, mirror beads, doll, faux birds, feather, plastic and staples on canvas

2021

Bahamian-American

Window Series #5

Obering, Mary

Acrylic on canvas

1973

American

La Bague de Roxane

Padeu, Marc

Acrylic on canvas

2023

African

Abram III

Paul, Zoë

Wool and thread on found fridge grill

2016

South African

The Capture of Christ by Fra Angelico, Cell 33, Museum of San Marco Convent, Florence, Italy

Polidori, Robert

Archival pigment print

2010

Canadian-American

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